Satta Cartoon – Mario Miranda’s voluptuous voluptuousness is filled with packed trains, restaurants, wedding pandals and street corners, with popular characters such as Miss Nimb Pani and Miss Fonseca flotsam and jetsam, and the quirky and sinister. A throbbing city appeared, each forming the core of a lumber mill, especially the one that made up its southernmost tip. Laxman’s battered but stoic commoners (perhaps the original Matungans of Mumbai?), the ubiquitous Dhoti and Kourt are a hymn to the powerless, against the evil deeds of the noble and mighty and the march of history. The often embarrassing silent witness. In Bal Thackeray’s David Law-influenced writing, a sleazy political take on Marathi Manus and his worldview from the benevolent Shivaji Park. Vasant Sarvate’s brainy, simple strokes resemble those of his mentor Saul Steinberg, but with a distinct oriental flavor – Vail Parul, PL Deshpande and Vijay Tendulkar. Thanks to the norms of intellectual genius of such people, he read their books regularly. Former Mumbai citizen Paul Fernandez’s warm and nostalgic watercolor paintings of the city’s Iranian restaurants, artsy cafes, markets and landmarks – Sobo’s standards that are sure to put a smile on your face… when India is so vivid. Is there a city recorded in brush strokes? A meticulously detailed chiaroscuro drawn through the eyes of a cartoonist, or a fantastically exaggerated line of paint than Mumbai? *** Mumbai’s attempt at caricature is undeniable

Mario Miranda’s voluptuous voluptuousness is filled with packed trains, restaurants, wedding pandals and street corners, with popular characters such as Miss Nimb Pani and Miss Fonseca flotsam and jetsam, and the quirky and sinister. A throbbing city appeared, each forming the core of a lumber mill, especially the one that made up its southernmost tip. Laxman’s battered but stoic commoners (perhaps the original Matungans of Mumbai?), the ubiquitous Dhoti and Kourt are a hymn to the powerless, against the evil deeds of the noble and mighty and the march of history. The often embarrassing silent witness. In Bal Thackeray’s David Law-influenced writing, a sleazy political take on Marathi Manus and his worldview from the benevolent Shivaji Park. Vasant Sarvate’s brainy, simple strokes resemble those of his mentor Saul Steinberg, but with a distinct oriental flavor – Vail Parul, PL Deshpande and Vijay Tendulkar. Thanks to the norms of intellectual genius of such people, he read their books regularly. Former Mumbai citizen Paul Fernandez nostalgically warms Sobo’s canonical waters of Iranian restaurants, art cafes, markets and city monuments, always bringing a smile of recognition…

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Is there any city in India other than Mumbai that has been documented through the eyes of a cartoonist with vivid brushstrokes, painstakingly detailed chiaroscuro, or fantastically exaggerated paint? (HT)

On The Draw

Is there any city in India other than Mumbai that has been documented through the eyes of a cartoonist with vivid brushstrokes, painstakingly detailed chiaroscuro, or fantastically exaggerated paint?

The close connection between Mumbai and comics is undeniable. It seems that the twin geniuses of Luxman and Mario, emanating from the city’s famous media company, have captured the public’s imagination, and that Thackeray’s orders, presented in the form of Malmic paintings, could bring the city to a halt, and his It was around the time of his nephew and MNS leader Raj Thackeray. . Traditions continued, but there was no doubt that Mumbai had a symbiotic relationship with cartoon art.

“Laxman, Bal Thackeray, Mario and others have provided caricatures so well that they have become part of Mumbai’s culture.In addition, this is a commercial center and home to the country’s entertainment industry. The city provided patrons for many art forms.” When asked about the city’s unique relationship with comics, Manjul, now one of the country’s most prominent cartoonists, said: His colleague, likewise famous Satish Acharya, agrees: « Certainly, cartoonists like Laxman, Mario and Balasaheb have inspired generations of cartoonists. » “But Mumbai is also a mecca for media and advertising, providing many opportunities and opportunities for artists who are passionate about comics,” he says.

« Caricaturists probably do better in the city. The stimulating situations that the city provides are real food for a cartoonist. » ‘ and refers to his day job in radiology as his ‘wife’.

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All three members of this holy trinity agree that the city has played a fundamental role in their evolution. ”

“In my case, it was Mumbai that gave me the right to dream that inspired me to pursue a career in comics in the late 90s,” said Acharya, who spent 17 years in Mumbai before moving. . I have been Mumbai for life,” he added.

« I just love this city. Its cosmopolitan nature has given me a better understanding of life, » he says, looking back after coming here from Delhi to work for a local daily newspaper. Manjul says he never did.

“I think of myself as a Mumbai cartoonist in the best sense of the word. This is the Catholic spirit, open-minded, diverse in taste, accepting of things, worldviews…” says Mopalia says.

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So what makes Mumbai so good for comics? It is the richness of its paradoxes, its degree of absurdity, its everyday features and characteristics that have produced such rich interpretations from such abundant talent. Is it because of the random richness of ? In a city that seems so well-suited for satire, parody, caricature, and humor, should cartoonists travel far to find inspiration? From a treasure trove of quirky figures that exist and rising inequality to endless social merry-go-rounds and endless politics, it offers a range of attractions for those interested in the arts. of wealth disgrace.

However, according to Acharya and Manjul, housing is no longer necessary given the prevalence and reach of IT. “Today, physical boundaries don’t matter. You get the same real-time news in Mumbai or in Kundapura, where I am now, a small town on the coast of Karnataka,” says Ajari. “Now you can watch, read, and connect with anyone, wherever you are. And comics require imagination. says.

This is perhaps another way of saying that you can kick cartoonists out of Mumbai, but you can’t kick Mumbai out of cartoonists…

But are cartoons themselves becoming an endangered species as cities prosper, expand and develop? « The cartoons that get the most views and viewership these days are mostly one-sided, » Mawpalia said, adding, « It’s a sure sign of the polarization of the public. » I’m here.

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NCP spokesman Clyde Crust, a cartoonist in the political tradition started by the Thackerays, began to feel there was too much animosity in politics a few years ago, and maybe his cartoons are that way. He says it might help him soften his resentment. . Recently, the politician was delighted to be invited back to the same classroom at St. Xavier’s College where he once sat as a student to give a cartoon class. « Being a spokesperson for a party that combined these two sides of my life made it easier for me, » he says.

Known for his candor and fearlessness, Manjul laments the current lack of sensitivity and nuance in public discourse, a natural consequence of changing times. complains that it is. “How many people in the new generation are familiar with great works of literature?” he asks. Last year, one of its long-standing contractual relationships with the media group came to an abrupt end after receiving notice from Twitter that Indian authorities had directed action against its site. Acharya’s caricature of the Charlie Hebdo massacre, which has been hailed internationally as one of the most prominent denunciations of the tragedy, has also faced editorial censorship.

The experience of these men’s sketches is a harbinger of the polarizing and hyper-tolerant times we live in. Gone are the days when the humorous deeds of Miss Nimbu Pani or ordinary people could bring a smile to a person’s face.

Perhaps humor and tolerance come out of our lives as much as they came out of the city itself.

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Acharya’s reaction to the observed World Cartoon Day on May 5 is representative of this trend, « It was just a day, » he says. « I spent my time drawing comics, answering questions from comics lovers, and dealing with trolls… »

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